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Animal Farm SOLD - Acrylic on canvas 24 x 36 Gimmie Shelter SOLD  - Acrylic on canvas 30 x 40 Not Waving But Drowning SOLD - Acrylic on canvas 40 x 40 Dark Ages SOLD - Acrylic on Canvas 36 x 36 Age of Enlightenment SOLD - Acrylic on Canvas 36 x 36 Crossroads Homestead SOLD - Acrylic on Canvas 30 x 40 Out By Abe’s Place SOLD  - Original on Canvas 30 x 40 Museum Wrapped Rouges Ridge Off of 46 SOLD - Acrylic on Canvas 40 x 30 x 3 Calm Warm Dusk SOLD - Original on Canvas 30 x 40 Tranquil Late Afternoon SOLD - Original on Canvas 40 x 30 Mellow Sundown and Harvest MoonriseSOLD - Oil on Canvas 40 x 30 Joyful Morning Walking the Dogs - Oil on Canvas 40 x 30 Whale Breaching off De Vault Place - Acrylic on Canvas 36 x 48 Goat Standing on Cows Back in Creekside Meadow - Original on Canvas Museum Wrapped 40 x 30 Feral Cat up on Nitt Witt Ridge - Original on Canvas 40 x 30 Hares Boxing at Leffingwell Landing - Original on Canvas 30 x 40 Elephant Painting the Cambria Historical Museum - Original on Canvas 40 x 30 Title Pending - 36 x 48 Original on Canvas Title Pending - 36 x 48 Original on Canvas
John Whittaker

Originally from England, J.C. Whittaker moved to California in 1987. In Cambria, he has pursued his interests in light, color, reality and illusion and, in doing so, has created images that are both arresting and deeply thought provoking.

He approaches these themes through a linked series of canvases. Each painting explores another facet through visually dense imagery. Whittaker is an eclectic artist and through his complete mastery of paint, he is able to employ a variety of styles. Having worked as a painter for over 30 years, Whittaker has established a formidable reputation on both sides of the Atlantic. He has exhibited widely and his art works have been shown in Realities Nouvelles in Paris, France; in Germany, Austria and Britain. In 1986 he was awarded the prestigious Europe Prize for Painting. In the USA, his painting have been placed in collections in London, New York, San Francisco, Los Angeles and Hong Kong.